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The boutique mimics Dundas’ successful approach to rebranding the heritage label—by playing with and breaking the rules. As with the clothes, there are reminders of Emilio’s trademark swirling and geometric prints, but they are modern interpretations, subtly done. Evoking the house’s famous Florentine palazzo, the terrazzo floor was laid in a graphic Pucci pattern that’s also echoed in the labyrinthine layout of the store’s rooms. Cabinets are made from unpolished purple-veined Breccia di Medici marble. “I think we depleted the stock for the moment,” Dundas joked. The marble’s colors informed the shop: the lilac couch that sits atop an aubergine silk carpet, the walls that are painted rich shades of cream and gray, and the changing rooms lined in pink velvet. The feminine, boudoir-ish feel is intentional, says Dundas. “I wanted it to feel like a place my girls would like to hang out.” His muse Amber Valletta is hanging out in the store windows, or at least larger-than-life-size artist’s renditions of her eye and lips are. The window display is more whimsical than Dundas’ Pucci is perhaps known for. Inside, though, the clothes give off serious heat. Just like Dundas and his girls like it.

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